Obviously the imagination is fueled by emotions beyond the control of the conscious mind.

The remark frames imagination not as a purely voluntary, rational faculty but as something powered by affect—fear, desire, grief, longing—arising from layers of the psyche that resist conscious command. In this view, creative work is less a matter of “making things up” at will than of being driven by inner pressures and emotional currents that surface indirectly as images, stories, and symbols. The word “obviously” suggests a corrective to romantic notions of total artistic control: craft may shape the result, but the originating energy comes from elsewhere. The idea also implies why art can surprise its maker and why writing can function as a form of discovery rather than mere execution.