’Snow White’ is an old fairy tale, so obviously the idea of vanity and obsession with youth is long-standing. With today’s science, people have become crazy with trying to move their face around. It’s bizarre.

Roberts uses the familiar moral framework of “Snow White”—especially the Queen’s fixation on being “the fairest”—to argue that vanity and fear of aging are not modern inventions, but enduring cultural pressures. She then contrasts that long-standing impulse with contemporary cosmetic technologies, suggesting that today’s tools (e.g., injectables, surgery, and other interventions) intensify the obsession by making physical alteration seem endlessly possible. Calling it “bizarre” signals both moral unease and social critique: the pursuit of youth can become compulsive, distort self-perception, and normalize faces that look manipulated rather than lived-in.