I don’t like to produce albums. I hate producing albums, as a matter of fact, because I’m an obsessed mixer and I can’t leave it alone.

The speaker contrasts the public-facing task of “producing albums” with the private, perfectionist labor of mixing. The dislike is not for music-making itself but for the open-endedness of production when paired with an “obsessed mixer” temperament: mixing invites endless revision, second-guessing, and incremental tweaks that can prevent closure. The quote captures a common studio dilemma—creative control versus the need to commit—and suggests that the speaker’s standards and attention to sonic detail can make album production emotionally taxing. Implicitly, it also elevates mixing from a technical step to an artistic compulsion that can dominate the whole process.