I have had fans make me the big picture collages of the photo books I have had fans send me birthday cakes... sing to me on my voicemail. I have had fans flash me. I have had older fans give me their bras and underwear onstage.

In this remark, Puff Daddy (Sean Combs) catalogs increasingly intimate and boundary-testing gestures from fans—moving from affectionate, crafted tributes (collages, photo books, birthday cakes, voicemail serenades) to overt sexual exhibitionism and the throwing of lingerie onstage. The escalating list underscores how celebrity can invite a spectrum of parasocial behavior, where admiration becomes performance and transgression. The tone is matter-of-fact, suggesting both astonishment and normalization: such acts are presented as part of the lived reality of fame and live performance culture. The mention of “older fans” also hints at the breadth of his audience and the way concert spaces can temporarily suspend ordinary social rules.