[I've] learned how to pull the mic away and attack the poetry with my body.

In this remark Andersen describes a shift from a purely verbal, microphone-centered delivery toward a more physically embodied performance style. “Pull the mic away” suggests freeing the voice from the fixed posture of stand-up recitation, while “attack the poetry with my body” frames spoken-word as kinetic: gesture, stance, movement, and breath become part of the poem’s meaning. The quote highlights a core idea in slam and performance poetry—that the text is only one component, and that presence, rhythm, and physical intensity can sharpen emotional impact and make language feel urgent, confrontational, or alive in the room.