I love prints of skulls and bones and have some taxidermy - a crow and a rabbit - to remind me of home. I like art and have a big portrait of Bjork.

In this remark, Goulding presents a deliberately offbeat inventory of personal décor—skulls, bones, and taxidermy—paired with a pop-cultural icon (a large portrait of Björk). The juxtaposition suggests a taste for the macabre as aesthetic rather than morbid, using objects as emotional anchors: the preserved crow and rabbit function as talismans that evoke “home,” implying nostalgia and continuity amid a mobile, public-facing life. Mentioning Björk signals admiration for an artist associated with eccentricity and creative independence, positioning Goulding’s own identity as eclectic, art-minded, and unafraid of unconventional self-presentation.