Right now, my job is that I’m like an ambulance chaser. I’ve got to look for movies with white guys falling out of them.

Chris Rock uses a deliberately abrasive metaphor (“ambulance chaser”) to describe opportunistic pursuit, then pivots to a satirical image—“movies with white guys falling out of them”—to critique Hollywood’s casting economy. The line suggests that mainstream film roles are so disproportionately written for white male leads that an actor seeking high-profile work can treat such projects as plentiful “accidents” to capitalize on. The joke also implies a structural constraint: rather than choosing among diverse, well-written parts, he must hunt for the rare openings that fit him within an industry pipeline dominated by whiteness. The humor sharpens an argument about representation by making scarcity and imbalance feel immediate and absurd.