There’s a line I have that our family was designed more for public than for private. But there are definitely some things that are only mine. I am someone who dreams at night, and you don’t know what I’m dreaming.

Fisher contrasts the public’s sense of entitlement to celebrity lives with the irreducible privacy of inner experience. The remark acknowledges that her family—famous across generations—often seemed to “belong” to the public through media scrutiny and cultural mythology. Yet she insists on a boundary that cannot be crossed: the private self, symbolized by dreams. Dreams stand for interiority, imagination, and the parts of identity that remain unknowable even to devoted fans or invasive press. The quote thus becomes a compact defense of personal sovereignty: fame may expose one’s image and history, but it cannot fully colonize consciousness.