The two elements the traveler first captures in the big city are extra human architecture and furious rhythm. Geometry and anguish.

Lorca contrasts the modern metropolis’s dazzling, superhuman built environment with the emotional violence it can impose on the individual. “Extra human architecture” suggests structures scaled beyond ordinary human measure—skyscrapers, grids, and engineered spaces that dwarf the traveler. “Furious rhythm” evokes the city’s relentless tempo: crowds, machines, commerce, and noise. The final compression—“Geometry and anguish”—pairs rational order (the city’s planned lines and angles) with existential distress, implying that modernity’s precision can coexist with, or even generate, alienation. The quote captures a key modernist tension: the city as both aesthetic marvel and psychological ordeal.