When you’re rich and famous you are the dominant force in a relationship, even if you try hard not to be. I’ve talked of sacrificing everything for Fleetwood Mac, but I realize now that it is simply the only thing I’ve ever wanted to do.

Nicks links celebrity to an unavoidable power imbalance: wealth and public stature confer leverage that can quietly shape intimacy, decision-making, and even the other person’s sense of agency, regardless of one’s intentions. The second sentence reframes what might sound like martyrdom—“sacrificing everything”—as clarity about vocation. Rather than a tragic trade-off, she recognizes Fleetwood Mac as the central, enduring desire around which her life has cohered. Together, the lines juxtapose the costs of fame in private life with the singular focus that can drive artistic commitment, suggesting that ambition and love are often negotiated under unequal conditions when one partner becomes a cultural force.