All my good movies, nobody sees.

Taken at face value, the line reads as a wry complaint about the mismatch between artistic satisfaction and public attention: the speaker feels that the projects he considers his strongest work attract fewer viewers than his more widely seen, franchise-driven roles. It also gestures toward a common tension in contemporary film culture—between prestige or risk-taking films and mass-audience blockbusters—where visibility is often shaped by marketing, distribution, and existing IP rather than perceived quality. The self-deprecating phrasing suggests humor and mild frustration rather than bitterness, framing the issue as an ironic byproduct of celebrity and audience habits.