The hope is they would like to bring it to Broadway next year, so we’ll see that’s to come in the end of the finance year and everybody else and also real estate and what theaters are available at the time but I would like to come back with it.

Underwood is expressing cautious optimism about transferring a production to Broadway, while underscoring how contingent such a move is on practical constraints. The quote frames Broadway not as a purely artistic destination but as an outcome shaped by budgets, timing within a financial year, and the availability of suitable theatre real estate. His phrasing suggests both desire (“I would like to come back with it”) and realism: even with creative momentum, commercial theatre depends on capitalization, scheduling, and venue logistics. The remark captures the intersection of ambition and infrastructure that governs Broadway transfers, where success is negotiated as much through finance and space as through performance.