My music appeals in America. There is less of the purist criticism I get here. And to be a hit in the U.S... what singer doesn’t have that dream?

In this remark Jenkins contrasts the reception of her crossover classical style in the United States with what she characterizes as more “purist” scrutiny elsewhere (implicitly the UK/European classical establishment). She frames American audiences and critics as more open to genre-blending and to vocalists who move between classical repertoire and popular presentation. The final line broadens the point into a universal performer’s ambition: the U.S. market symbolizes scale, visibility, and career validation. The quote thus speaks both to cultural differences in musical gatekeeping and to the aspirational pull of American success for international singers.