I sing a mixture of everything from opera, folk music, Broadway. It’s a mix of things.

Katherine Jenkins characterizes her artistry as deliberately eclectic, resisting strict genre labels. By naming opera, folk, and Broadway in the same breath, she frames her voice and repertoire as “crossover”: rooted in classical technique but oriented toward popular accessibility and varied storytelling traditions. The repetition—“a mix of things”—underscores that the blend is not accidental but central to her musical identity. The quote also gestures toward a broader early-21st-century trend in which classically trained singers expanded audiences by recording and performing material outside the opera house, treating genre boundaries as porous rather than prescriptive.