He who loves, flies, runs, and rejoices he is free and nothing holds him back.

The line links love with a felt experience of liberation: to love is to move lightly, expansively, and without inner constraint. The verbs (“flies, runs, and rejoices”) suggest an acceleration of energy and a widening of possibility, as if affection dissolves the weights of fear, resentment, or self-consciousness. Read in an artistic key, it can also imply that genuine attachment—to a person, to life, or to one’s work—frees creative action from inhibition and makes effort feel like play. The final clause (“nothing holds him back”) frames love not as dependence but as a force that loosens bonds and restores agency.