I had a great movement teacher - he showed me how to walk so I wasn’t becoming like a cartoon.

Leguizamo highlights the craft behind physical performance: movement is not merely instinctive but trainable, and even something as basic as walking can become stylized, exaggerated, or “performative” in ways that read as artificial onstage or on camera. By contrasting naturalistic movement with “becoming like a cartoon,” he suggests an actor’s body can slip into broad, comedic shorthand—useful for some roles, but limiting if it turns into a default mannerism. The remark underscores the value of specialized coaching in grounding a performer’s physicality, helping characters feel embodied and specific rather than generic caricatures.