I am Warhol. I am the number one most impactful artist of our generation. I am Shakespeare in the flesh. Walt Disney. Nike. Google.

In this self-mythologizing declaration, West collapses distinctions between fine art, literature, entertainment, and corporate branding to argue that contemporary cultural power is measured by cross-domain impact. By naming Warhol and Shakespeare, he claims canonical artistic legitimacy; by adding Walt Disney, Nike, and Google, he frames creativity as inseparable from mass reproduction, marketing, and platform-scale influence. The rhetoric is intentionally hyperbolic and performative: it functions less as a verifiable assessment than as a manifesto of artistic identity, positioning the artist as a total brand and a disruptive force who reshapes taste, commerce, and public imagination in the same stroke.